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[1]
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Jeffrey A. Smith.
E-publishing: Politics and pragmatics.
chapter A First-Principles Reinvention of Software Tools for Creative
Writing in the 21st Century. University of Toronto, 2010.
In press.
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[2]
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Jeffrey A. Smith.
Kaleidoscapes: Re-imagining how to facilitate creative writing and
analysis with software tools.
In HuCon 2010, Edmonton, Alberta, 2010.
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[3]
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Jeffrey A. Smith, David Mould, and Mark Daley.
Constructures: Supporting human creativity in software.
Digital Creativity, 20(1), 2009.
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[4]
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Yin Liu and Jeffrey A. Smith.
A relational database model for text encoding.
In Computing in the Humanities Working Papers. University of
Toronto, 2008.
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[5]
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Fleur Macqueen Smith, Nazeem Muhajarine, Lan Vu, Jeffrey A. Smith, Sue Delanoy,
and Jon Ellis.
Canadian institutes of health research knowledge translation
casebook.
chapter Building partnerships to improve children's health, pages
1-4. Canadian Institutes of Health Research, 2008.
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[6]
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Jeffrey A. Smith and David Mould.
Constructures: A framework for computer-assisted human creativity
tools.
In SDH/SEMI 2008, 2008.
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[7]
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Jeffrey A. Smith and Yin Liu.
Aligning the agendas of humanities and computer science research: A
risk/rewards analysis.
In CaSTA 2007, October 2007.
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[8]
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Jeffrey A. Smith, Joel Deshaye, and Peter Stoicheff.
Callimachus: Avoiding the pitfalls of XML for collaborative text
analysis.
Literary and Linguistic Computing, 21(2):199-218, July 2006.
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[9]
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Jeffrey A. Smith.
Skyd: Recognizing stars in astro-imagery based on stable local
geometric patterns.
Technical Report TR 2006-01, University of Saskatchewan, Saskatoon,
Saskatchewan, Canada, April 2006.
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[10]
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Yin Liu and Jeffrey A. Smith.
Middle English text as database.
In Proceedings of the International Medieval Congress, 2006.
University of Leeds, 2006.
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[11]
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Jeffrey A. Smith, Joel Deshaye, and Peter Stoicheff.
Callimachus: A virtual archivist for electronic markup projects.
In ACH/ALLC 2005, June 2005.
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[12]
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Jeffrey A. Smith and Karen Drewery.
Timewarps: A temporal reparameterization paradigm for parametric
animation.
In Eurographics '91. Time-Warner, 1991.
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